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"But I own that I cannot see as plainly as others do, and I should wish to do, evidence of design and beneficence on all sides of us. There seems to me too much misery in the world. I cannot persuade myself that a beneficent and omnipotent God would have designedly created that a cat should play with mice." -- Charles Darwin, Letter to Asa Gray
(Sport is) not supposed to ... force you to confront the fact that you are a moral relativist, a hypocrite, a proto-fascist, and, not to put too fine a point on it, a lying, self-serving sack of shit.
But that's what the Barry Bonds saga has done to us Giants fans. (OK, there may be a few who have rejected Barry, but I don't know any.) Sports has turned us into a horde of Mark Foleys, but with one big difference: We refuse to resign and remain defiantly in our hot tubs, wallowing in a sea of congressional pages. Me and Mr. Bonds -- we got a thang going on. We both know that it's wrong -- well, he doesn't, but I do -- but it's much too strong to let it go.
Joan Didion's famous epigram that ``a writer is always selling somebody out'' has often been interpreted as a Janet Malcolm-like indictment of the vampire treachery that is at the heart of writing. But it's actually more subtle than that.
If you tell the truth, you are often selling out the people who are near to you, who have agreed to talk to you, who have told you their stories, who have gone on travels with you. Writers are not nice people, although they may be charming enough.
But: If you don't tell the truth, you are selling out the readers. And as a professional matter, that is where the loyalties of the writer lie.
A WRITER IS a kind of holy sociopath. A writer -- a good one, anyway -- is always in danger of getting run out of town or denounced from the pulpit or charged with self-indulgence or willful obscurantism or just plain rudeness.
Very few people actually like that experience. Most people want love and approval -- this is not exactly a secret. So why bite the hand that feeds you? Because the hand is corrupt. Why air dirty laundry? Because dirty laundry doesn't get cleaner sitting in a basket.
And because a story needs to be told. All writers start out as readers; all writers have read stories that spoke to them, that opened worlds, that dissected emotions, that explained relationships, that showed them other ways of being. Writers start out being drunk on someone else's words; they spend their lives trying to create equally potent brews.
.... Writing is not just a game they play in New York, although, of course, it's that, too. Writing is about the stories we tell ourselves in order to live. Someone has to tell those stories. The telling is always risky.
There's a story about the reaction to Truman Capote's ``Answered Prayers,'' his dissection of the New York society circles of which he was so much a part. Many of his friends were portrayed therein, thinly disguised and distinctly unlovable. They were furious. They cut him dead. They accused him of secret note- taking, which he freely confessed.
``What did they expect?'' he said. ``I'm a writer.''
And as a result, we are left with a document that outlines very accurately a certain kind of society at a certain moment in American history. Would that it were a better document, but quality is not the issue.
You can never know really whether what you're writing is any good; you can only hope that you have not broken faith with the reader. A writer is just someone who has lived to tell the tale. It is the tale that must never be betrayed.Describing the room: An exercise for feature writing
You have arranged an interview in this room with the person named below. You arrive 30 minutes early. Since you will be writing on deadline, you decide to do a brief sketch of the room before your subject arrives, thinking you might be able to use it as part of your story.
You are interviewing a 60-year-old architect who has been hired to remodel all the classrooms on this campus.
A 35-year-old nun who is leaving holy orders to get married.
A 40-year-old USF employee whose job is cleaning this building.
A 70-year-old priest who is about to retire from USF.
The 40-year-old widow of a USF professor who died of a heart attack in this room last year.
A 20-year-old student who has just been expelled from USF for drinking.
A 10-year-old child prodigy who has just started college at USF.
A 50-year-old prison inmate who has a day pass to take classes at USF.
Name | Avg | HR | R | RBI | SB | ERA | K | S | W | W PCT | Total |
The Eleven Bunny Wunnies (JMichael Robertson) | 9.0 | 2.0 | 10.0 | 6.0 | 10.0 | 8.0 | 3.0 | 10.0 | 4.0 | 6.0 | 68.0 |
The Money Shot (Bob Wieder) | 2.0 | 10.0 | 6.0 | 8.0 | 1.5 | 7.0 | 8.0 | 3.0 | 10.0 | 10.0 | 65.5 |
T. S. Intellectual, OBE (michael tola) | 4.0 | 8.0 | 4.0 | 9.0 | 6.0 | 5.0 | 7.0 | 8.0 | 7.0 | 5.0 | 63.0 |
Hell Hounds (Peter Moore) | 8.0 | 3.0 | 9.0 | 4.5 | 7.0 | 9.0 | 5.0 | 9.0 | 3.0 | 4.0 | 61.5 |
Leaves of Grass (Jeffrey Pressman) | 6.0 | 1.0 | 5.0 | 2.0 | 8.0 | 10.0 | 9.0 | 5.0 | 8.5 | 7.0 | 61.5 |
The Lonesome Strangers (Paul Fife) | 7.0 | 5.5 | 7.0 | 4.5 | 9.0 | 4.0 | 10.0 | 4.0 | 6.0 | 3.0 | 60.0 |
Little Chi Chi () | 10.0 | 9.0 | 8.0 | 10.0 | 5.0 | 3.0 | 1.0 | 6.0 | 1.0 | 2.0 | 55.0 |
The FunGhouls (Overcoat Jones) | 3.0 | 7.0 | 2.0 | 7.0 | 3.0 | 1.0 | 2.0 | 1.0 | 8.5 | 9.0 | 43.5 |
Chi Chi () | 5.0 | 5.5 | 3.0 | 3.0 | 4.0 | 2.0 | 4.0 | 2.0 | 5.0 | 8.0 | 41.5 |
Marfa Dogs (B S) | 1.0 | 4.0 | 1.0 | 1.0 | 1.5 | 6.0 | 6.0 | 7.0 | 2.0 | 1.0 | 30.5 |